Camera Skills - Film Noir

When shooting a film or clip you must take into concept how they are filmed. Film Noir's are often filmed in as least amount of shots as possible, normally with a tracking shot for the whole scene.

You MUST white balance your camera before filming.

this can be done by:

Function
going down to the second option
Accross to the far right option
Aim camera at a white background
Press and hold in analog stick

the camera should now be white balanced.
(this must be done every time you change location or edit the brightness within the room)

you would also need to film in black and white, this can be done on the CANON HD by following the steps:

Function
Going down to the fourth option
Across to the right three times to E1 which is Black and White
Press function to close menu

you must then:

Press the analog stick in
Press up

Black and White filming will now be activated
(you can use this same method to turn on any effects)

MAIN TASK -the widows dept 2nd draft

MAIN TASK - the widows dept

MAIN TASK - First Draft

MAIN TASK - Evaluation

Film Noir- First Draft- The Widows Dept

Media Evaluation

Media Evaluation

Film Noir - Actors and Props

Vincent (Assain)- Jake Baxter (01733244571)
Props: Suit, tie, red gun, white shirt

Venessa (Femme Fetal)- Lorna Parmeneter (01733243056)
Props: High heels, dress

Ray (Detective)- Connor Nash (07706429983)
Props: White shirt, trench coat, paper to be used as a ciagrette

Recee Photos

A photo of The Bell, Stilton. We are planning on shooting Scene one here.

Further down the road of The Bell, Stilton. this is where we are planning on  shooting scene 2.

A shot showing both scene locations within a long shot.

this is a shot of the main strip looking down the road where most of our film will take place.

another shot of the main strip looking down the road.

a photo of the front door of The Bell.

A shot of the main strip looking up the road.

another shot of the strip looking up the road.

a closer shot of Scene 2 location. this is where the assassin will be shot by the detective.

another angle of scene 2's location.

a long shot on scene 1 location.

looking up the road from scene 2.

A long shot of Scene 2 location.

Risk Assessment

Storyboard

Preliminary Task - Actor Bio's

Jake Baxter

Played the role of the Assassin Vincent Retegecho

Born on 15 November 1994

Lives in Stilton

Telephone Number: 01733244571

Student at Sawtry Community College doing A-Levels

Aged 17

He is a quite unassuming charcter, however he played the role of our assain very well as he has roamed around our set very quitly, inocently and very unassumingly. However though when it got down to it he performed his role very assertivly and very confidently and he was very smooth and nimble in his approch.

Connor Nash

He played the role of our detective Ray Stoner

Born on 11 August 1995

Aged 16

He lives in Yaxley

He is a student at Sawtry Community College studying for his A-Levels

Mobile Number: 07706429983

I had used Conor perviously in film called: The Transition

Connor has a quite and a very innconet personality, however he is very confident and very self assured. This is why I deemed him as the perfect candidate to play our very charsmatic detcive, who inevtably comes to our femme fetals rescue. I had knew of Connor's acting talents from my previous film and I knew he was very reliable and was confident in his ability to play this role.

Lorna Parmenter

She played the role of our flirtatious femme fatal, Venessa Poliavin

Born on 13 March 1998

She is 14 years old

She is a year nine student at Sawtry Community College

She is Aaron Parmenters sister

Telephone Number: 01733243056

She was our third choice actor, behind Shannon Bott and Aryanna Wren

Lorna is kind, friendly girl who has a very strong mentality and is very strong willed. This is why I was quietly confident that she could perform the job, even though I did not identify her as a strong actor at first.

Considering she had approximately one hour notice, she performed reasonably well in her role and she had a strong and confident enough personality to deal with the role. The only problem that we had with her was that she struggled with the America accent and that she struggled with the flirtatious scene.

Preliminary Task - Production Schedule

The Widows Debt - Production Schedule

The Widows Debt - Shot List

SHOT LIST

Preliminary Task - The Widows Debt - Final Draft

Script

The Widows Debt - Film Noir - First Draft

The Widows Debt - Production Script Version 1

Our Film

Charcter Bio's



Ray Stoner

35

Detective

Wife and one daughter

Independent

Smokes

Used to be abit of a lad when he was younger

Spent time in jail

Determind not to go back having created a good life for himself



Venessa Poliavin

25

Seductive

Filrtaious

Likes the colour red (represents her personaility)

Has a gambling habbit shared by her late husband

Widowed

Husbands dept with casino passed to her

Troubled

Atrractive


Vincent Retegecho

30

Assain

Hired by the casino to go after the women

Smooth

Gentle

Calm and composed

Smartly dressed

Very dangrous (no compation)


Plot


The story is set in an urban city; where late at night we have a women who is despretly trying to escape the boss of the big city casino. Her and her late husband have raked up astronamical depts which she is unable to pay off, so after plenty of warning, she decides to flee the big city. As she is running away, despreate not to be seen by anyone with any connection to the casino, she bumps into our detective. She pleades her case to him and asks for his help, despite initally wanting to help her, he does not want to get into trouble again so he decides not to get involved. He says, "Not my problem lady," However does he return later on? The opening concludes with the lady running down a back street alley, only to realise its a deadend and before she can react, she bumps into the smooth talking assain. She instantly reconises the danger, as he pulls out a gun a bullet is fired. Only for the assain to hit the floor. What happened? The lady screams at a shadow, "No! What have you done!"

The identity of this person is not revealed in the opening. So who is he? Why did he help? Why was she so angered by the death of the assain? What is actually going on?

Questionnaire Results

Questionnaire Results

Film Noir Questionnaire

Film Noir Questionnaire

Similar Products - Film Noir Posters

Most Film Noir posters consist of a lot of vibrant colours although the film is in black and white. this is for advertisement purposes and so that it catches the viewers eye much easier as it stands out more. the backgrounds are quite often very dark with the main characters in the front of the image and dependant on the main character is a detective or journalist this will depend on whether he has a gun or not.

on just about very poster there will be the 'Femme Fatale', this is the seductive lady in the film who which is normally an evil character but turns good to help the detective/journalist. most of the time it is only the femme fatale and the main male character within the poster as these are the main two characters within the film.

the title font is bold and clear for the reader to see.

Film Noir - The Team

My group consists of:

• Aaron Parmenter
• Raja Hanna
• Jamie Stone

Blog Task 10 - Similar Products

a type of crime film featuring cynical malevolent characters in a sleazy setting and an ominous atmosphere that is conveyed by shadowy photography and foreboding background music.

1. Double Indemnity
Directed by Billy Wilder (1944)
Starring Fred MacMurray, Barbara Stanwyck, Edward G. Robinson

In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive wife of one of his clients, Phyllis Dietrichson, and they have an affair. Phyllis proposes to kill her husband to receive the proceeds of an accident insurance policy and Walter devises a scheme to receive twice the amount based on a double indemnity clause. When Mr. Dietrichson is found dead on a train-track, the police accept the determination of accidental death. However, the insurance analyst and Walter's best friend Barton Keyes does not buy the story and suspects that Phyllis has murdered her husband with the help of another man.

2. The Maltese Falcon
Directed by John Huston (1941)
Starring Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet

Spade and Archer is the name of a San Francisco detective agency. That's for Sam Spade and Miles Archer. The two men are partners, but Sam doesn't like Miles much. A knockout, who goes by the name of Miss Wanderly, walks into their office; and by that night everything's changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wanderly is surrounded by dangerous men. There's Joel Cairo, who uses gardenia-scented calling cards. There's Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come, and it will all be because of these dangerous men -- and their lust for a statuette of a bird: the Maltese Falcon.

3. The Big Sleep
Directed by Howard Hawks (1946)
Starring Humphrey Bogart, Lauren Bacall

Summoned by the dying General Sternwood, Philip Marlowe is asked to deal with several problems that are troubling his family. Marlowe finds that each problem centers about the disappearance of Sternwood's favoured employee who has left with a mobster's wife. Each of the problems becomes a cover for something else as Marlowe probes.

4. Sunset Blvd.
Directed by Billy Wilder (1950)
Starring Gloria Swanson, William Holden

The story, set in '50s Hollywood, focuses on Norma Desmond, a silent-screen goddess whose pathetic belief in her own indestructibility has turned her into a demented recluse. The crumbling Sunset Boulevard mansion where she lives with only her butler, Max who was once her director and husband has become her self-contained world. Norma dreams of a comeback to pictures and she begins a relationship with Joe Gillis, a small-time writer who becomes her lover, that will soon end with murder and total madness.

5. Out of the Past 
Directed by Jacques Tourneur (1947) 
Starring Robert Mitchum, Jane Greer, Kirk Douglas

Jeff Bailey, small-town gas pumper, has his mysterious past catch up with him one day when he's ordered to meet with gambler Whit Sterling. En route to the meeting, he tells girlfriend Ann his story. Flashback: Once, Jeff was a private eye hired by Sterling to find his mistress Kathie who shot Whit and absconded with $40,000. He traces her to Acapulco...where the delectable Kathie makes Jeff forget all about Sterling... Back in the present, Whit's new job for Jeff is clearly a trap, but Jeff's precautions only leave him more tightly enmeshed.

6. The Killing
Directed by Stanley Kubrick (1956)
Starring Sterling Hayden, Elisha Cook Jr., Coleen Gray

After getting out of prison, Johnny Clay masterminds a complex race-track heist, but his scheme is complicated by the intervention of the wife of a teller (George Peatty) in on the scheme, the boyfriend of the wife, airport regulations, and a small dog.

7. In a Lonely Place 
Directed by Nicholas Ray (1950)
Starring Humphrey Bogart, Gloria Grahame

Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them?

8. Laura 
Directed by Otto Preminger (1944)
Starring Gene Tierney, Dana Andrews, Vincent Price

Detective Mark McPherson investigates the killing of Laura, found dead on her apartment floor before the movie starts. McPherson builds a mental picture of the dead girl from the suspects whom he interviews. He is helped by the striking painting of the late lamented Laura hanging on her apartment wall. But who would have wanted to kill a girl with whom every man she met seemed to fall in love? To make matters worse, McPherson finds himself falling under her spell too. Then one night, halfway through his investigations, something seriously bizarre happens to make him re-think the whole case.

9. The Asphalt Jungle 
Directed by John Huston (1950)
Starring Sterling Hayden, Sam Jaffe, Louis Calhern

'Doc' Riedenschneider, legendary crime 'brain' just out of prison, has a brilliant plan for a million-dollar burglary. To pull it off, he recruits safecracker Louis, driver Gus, financial backer Emmerich, and strong-arm man Dix Handley. At first the plan goes like clockwork, but little accidents accumulate and each partner proves to have his own fatal weakness. In the background is a pervasive, grimy urban malaise.

10. The Postman Always Rings Twice 
Directed by Tay Garnett (1946)
Starring Lana Turner, John Garfield

Nick Smith, the middle-aged proprietor of a roadside restaurant, hires drifter Frank Chambers as a handyman. Frank eventually begins an affair with Nick's beautiful wife Cora, who talks Frank into helping her kill Nick, by "accident." But the best laid plans.